vison wrote:In all honesty, the whole warrior/honour/killing people/revenge stuff leaves me cold. No matter how beautifully choreographed and filmed.
It is a matter of context. If you want to make a film set in Japan during the Sengoku Jidai (ie. when the Samurai were running around), you can’t escape these sorts of things. Another of Kurosawa’s great achievements in my view is making his characters entirely believable within their dramatic, historical and cultural context. Many directors of period films can’t help ‘modernising’ characters to make them more sympathetic to a modern audience (PJ was also a little guilty of this with LotR). All of the characters in SS, though, from the desperate villagers to the proud Samurai, think, talk and act just like people in their circumstances would. Some people might not relate to that, but I found that it added an amazing element of realism and drama.
Which isn’t to say that I don’t have any philistine tendencies myself, even though I do like a lot of classic films. I really like
Seven Samurai, for example, but also
The Last Samurai. My favourite Bong film is
Casino Royale followed by
Goldfinger, and I enjoy the LotR films and
The Empire Strikes Back almost as much as I enjoy
Casablanca .
Speaking of the LotR films, I think there’s a simple formula for the quality of the battle scenes – are Legolas and Gimli present? If not, they’re often great. If so, they’re usually absurd. Compare Boromir’s last stand at Amon Hen, the battle for Osgilliath or the charge of the Rohirrim with Helm’s Deep or the Pelennor, for example.